Welcome2025
Hello Friends and Welcome to the New Year,
I hope everyone is continuing to enjoy a slow start to the year after a restful break. 2025 is shaping up to be a
MASSIVE year for all of Nardi's creative projects. Whether its's the written word, gigs, composition or speaking
engagements, read on to hear about all Nardi's upcoming events, publications, appearances, interviews and
projects. Also check out the EVENTS tab to see a Nardi speak about her 2024 novel 'the belburd' somewhere
near you.
NEWS
Following on from the offical launch of 'the belburd' in October last year, Nardi was thrilled to have her contribution in Words to Sing the World Alive: A Celebration of First Nations Languages by Jasmin McGaugheyThe Poets Voice also published in November 2024. The anthology includes contributions by Kim Scott, Tara June Winch, Daniel Browning, Terri Janke, Jeanine Leane, Ellen van Neerven, Alice Skye, Bruce Pascoe, Anita Heiss, Thomas Mayo, Evelyn Araluen, Claire G Coleman and Mykaela Saunders and is published by UQP.
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In December 2024 Nardi's co-written contribution in The Cambridge Companion to Music in Australia was also launched. Co-written with Dharug composer Dr Chris Sainsbury Nardi's shares her perspectives on Ngarra Burria First People's Composers. The volume, published by Cambridge University Press, was edited by Dr Amanda Harris and Noongar songmaker and Professor of Music at the University of Western Australia Dr Clint Bracknell.
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In July 2025 Nardi looks forward to her contribution to The Gifts of Reading for the Next Generation, Essays on Nurturing a Passion for Reading. Featuring work by Tristan Bancks, William Boyd, Shankari Chandran, Horatio Clare, Nicola Davies, Imtiaz Dharker, Ursula Dubosarsky, Maisie Fieschi, Pico Iyer, Wayne Karlin, Colum McCann, JohnMichael McCann, Ann Morgan, Sir Michael Morpurgo, Dina Nayeri, Matt Ottley, Nguyễn Phan Quế Mai, Alice Pung, Diana Reid, Nilanjana Roy, Nikesh Shukla, Madeleine Thien, Thelma Young Lutunatabua, and John Wood, the anthology will be published by Scribe and will be available in the UK, US and Australia.
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Finally Nardi was over the moon to learn of her nomination as Limelight's Artist of the Year. Limelight Magazine assembled a nationwide team of writers, critics and subscribers to create a shortlist of the composers, singers, musicians, conductors, directors and ensembles who have made the biggest impression on classical music and opera in 2024. Winners will be announced on Feb 3rd!
BOOKS
the belburd
'Mothers are experts at overflow . . . You may forget the words or kisses or gifts they give but that doesn't mean they didn't happen . . . We don't need to remember all the love poured into us. We need to be thankful that it makes us. When it comes to love, it's all about being. Not remembering so much.'
Ginny Dilboong is a young poet, fierce and deadly. She's making sense of the world and her place in it, grappling with love, family and the spaces in which to create her art. Like powerful women before her, Ginny hugs the edges of waterways, and though she is a daughter of Country, the place that shapes her is not hers. Determined and brave, Ginny seeks to protect the truth of others while learning her own. The question is how?
And, all the while, others are watching. Some old, some new. They are the sound of the belburd as it echoes through the world; the sound of cars and trucks and trains. They are in trees and paper and the shape of ideas. They are the builder and the built. Everything, even Ginny, is because of them.
The Belburd is a powerful story that shows us we are all connected from before we began to long after we begin again.
SONG OF THE CROCODILE
"Darnmoor, The Gateway to Happiness. You feel some sense of achievement; that you have reached a destination in the very least. Yet, as the sign states, Darnmoor is merely the measure, a mark, a point on the road you begin to move closer to where you really want to be. Darnmoor itself is nothing."
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Darnmoor is the home of the Billymil family, three generations who have lived in this 'gateway town'. Race relations between Indigenous and settler families are fraught, though the rigid status quo is upheld through threats and soft power rather than the overt violence of yesteryear.
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As progress marches forwards, Darnmoor and its surrounds undergo rapid social and environmental changes, but as some things change, some stay exactly the same. The Billymil family are watched (and sometimes visited) by ancestral spirits and spirits of the recently deceased, who look out for their descendants and attempt to help them on the right path.
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When the town's secrets start to be uncovered the town will be rocked by a violent act that forever shatters a century of silence. Full of music, Yuwaalaraay language and exquisite description, Song of the Crocodile is a lament to choice and change, and the unyielding land that sustains us all, if only we could listen to it.
UPCOMING
Festivals, Festivals and More Festivals
Nardi will be continuing her promotional tour of 'the belburd' to many wonderful literary festivals, bookstores and libraries in 2025. Along with longtime musical collaborator Kaleena Briggs, Nardi will also be launching Stiff Gins fourth studio album. Keep returning to the events page for confirmed festival information.
EVENTS
BIO
Nardi Simpson is a Yuwaalaraay storyteller and performer living in Sydney. Training as a musician, Nardi began her artistic journey as a songwriter and performer with vocal duo Stiff Gins. This has seen her travel both nationally and internationally for over twenty-five years releasing four albums, two singles, an EP and countless compliations during that time.
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Nardi was a winner of the 2018 Black & Write! Fellowship for a manuscript that would eventually becoe her first novel, 'Song of the Crocodile.' Published in 2020 by Hachette Australia, Song of the Crocodile won the 2021 ASAL Gold Medal and was long listed for the 2021 Stella Prize and Miles Franklin Awards. Nardi's second novel 'the belburd' was published by Hachette in October 2024.
Nardi continues to perform with Stiff Gins, works with student ensembles and directs cross-cultural choir Barayagal at the Sydney Conservatorium of Music. She is also currently undertaking a PhD with the ANU School of Music. Whatever the creative project in front of her, Nardi remains committed and active in the making and sharing of culture, music and story in both her Sydney and Yuwaalaraay communities.
IN THE PRESS
the belburd
Written with the same lyrical prowess and evocative tone as her award-winning debut, Song of the Crocodile, Yuwaalaraay storyteller Nardi Simpson's second novel, the belburd, is a powerful ode to the interconnectedness of everything and the creation of life.
With a lyrical mastery only further cultivated since her debut, Song of the Crocodile, Simpson finds the sublime in the quotidian, elevating experiences (as base as being born or dying, as complex as grief or motherhood) to an art form. She shows that life is a series of becomings, experienced by humans and animals and the world alike – we all become together.
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LISA SCHUURMAN
BOOKS + PUBLISHING
TEDDY PEAK
READINGS
Song of the Crocodile
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Rich, complex characters who’ll stay in your thoughts long after you’ve closed the book, a gripping story that moves effortlessly through time and space, and a voice suffused with music and warmth. SONG OF THE CROCODILE is a moving, wise, deeply rewarding novel from an astonishing writer.
Simpson doesn’t shy away from the complexity and nuance of the characters, who are at once survivors, victims and perpetrators of trauma grounded in dispossession and injustice. However, nor does she deny these characters joy and meaning in their lives – bringing their stories to the page with great tenderness and lyricism. This book is necessary reading for all Australians.
It’s hard not to drown Song of the Crocodile in awed praise but this book deserves every skerrick of hype. That it is Simpson’s debut feels like a magnificent question: what else might she bring us? For now, just surrender to her storytelling, rich with Yuwaalaraay language and song.
EMILY MAGUIRE,
AUTHOR OF AN INSOLATED INCIDENT
BEEJAY SILCOX
THE GUARDIAN
STELLA PRIZE JUDGES' REPORT
MUSIC
Musician
As a founding member, vocalist, guitarist and songwriter with Indigenous duo Stiff Gins, Nardi has performed and travelled nationally and internationally for the past 25 years. Meeting in 1997 at the Eora Centre for Aboriginal Studies, Visual and Performing Arts in Redfern, Sydney, Stiff Gins have toured the US, UK, Middle East, Africa and the pacific and have released three albums, 2 singles and an EP. Stiff Gins continue to perform at festivals throughout Australia.​Thanks to funding from Sound NSW Stiff Gins are currently recording their fourth studio album. It is due for release in April 2025. You can listen to Stiff Gins here on Spotify.
Composer
Nardi is a graduate of Ngarra Burria First People’s Composers - a partnership with Mooghalin Performing Arts Inc, ANU School of Music, The Australian Music Centre and Ensemble Offspring. Her commissions include works for ABC Music's Fresh Start Program, the Royal Australian Navy Band and Canberra Symphony Orchestra. Nardi has been Composer in Residence at The Sydney Conservatorium of Music, Monash Classical Music Department and Ensemble Offspring and is currently composing work for three new First Nations Operas. Listen to Nardi's work with Ngarra Burria here. You can also watch Nardi's 2022 Sydney Festival show -barra, featuring 70mins of original story and composition here.
Choir Director
Nardi is the current director of Barayagal- a community choir that brings together First Nations and non-Indigenous people to sing and share language, music and culture. Barayagal is a partnership between the Sydney Conservatorium of Music, YARN Australia, Metro Local Aboriginal Land Council and Redfern Community Centre. Stay connected to Barayagal's instagram to learn more out about gigs, rehearsals and tours.
FEATURES
Here you can explore recent podcasts, guest articles, interviews and revies and online content to do with Nardi's writing and musical world.
